guitar, voice, & violin
… and a bit of music theory thrown in for good measure.
From time to time, I find some pieces of good advice relating to performing or composing music. Most of what I plan to share here will relate to the instruments that I play – guitar, voice, and violin. Sometimes though, I do find more general, beneficial advice, and I’ll pass that along.
[Note: The point of view from which I approach the advice offered here is that of personal experience; in other words, I’m sharing with you what I have discovered. If you have something constructive to add, please email me (firstname.lastname@example.org) – I’d love to hear from you.]
If you’re curious about what instruments I actually play, that is, what brand of instruments, here’s the score:
Guitar(s): I have a few, but I’m a Taylor guitar fan – I own three. My main guitar, since 1992, has been my Taylor 710. The pickup in the 710 is an L.R. Baggs, bridge pick-up (the pickup is the bridge itself). I also play this through the L.R. Baggs para DI, and I use a Monster guitar cable.
For recording, particularly fingerstyle playing, I often use my Guild. I bought this one in 1991, and the completion date stamped on the inside is my birthday, so I always felt it was some sort of destiny that I should have this guitar. While living in Germany, this guitar suffered a horrible accident: It was dropped by a friend of mine, and the neck split. I brought it back to Appalachian Bluegrass in Catonsville, MD, and John Thurston put it back together. It’s better now than it was before the accident.
Violin: My violin is the only one I’ve ever owned – an Anton Becker, circa 1880s. I’ve owned this violin since 1980. I use a Coda bow and Dominant strings.
Voice: My voice has shifted a bit over the years. When I was younger, I was a definite baritone, but with a bunch of high notes. I’ve lost of few of the notes at the extreme ends of my range, but, in full voice (not falsetto), I still have a solid two-octave range.
Getting Around …
- guitar, voice, & violin
- private lessons
- ceol, cultúr, craic – the celtic music club
- a quick “five fav tunes” from fantastic fiddler, jim eagan
- do you need a shoulder rest for your violin?
- how thick is your pick?
- so what is the proper use of a diaphragm?
- shifting up is easier than shifting down
- so, how fast is too fast?
- all this music